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Greetings from the CSTAE Newsletter, The CSTAE Newsletter continues as a forum for DIALOGUE among art educators as it welcomes commentary from those in general education and community. We seek interviews with Social Caucus members to find out what their art and science of teaching looks like in theory and practice, and the implications for and impact on students, faculty, administration, community, and the field. We welcome all input you may have to offer in this DIALOGUE. We anticipate that some ideas may be challenging and controversial as they tackle sensitive issues and beliefs about "the truths" we hold for life and our chosen profession. The CSTAE Newsletter encourages that any dialogue remain a professional and respectful expression among the diversity of ideas and beliefs that art educators and the constituency hold. The CSTAE Newsletter reserves the right to editorial staff review for any publications. Please include your name, address, phone, and e-mail address and send commentary for "CSTAE Dialogue" to: Dr. Shirley Hayes
Yokley-Witzel, CSTAE Newsletter Editor One of our first solicitations for commentary for the CSTAE
Newsletter was to Dr. Kenneth Marantz, Professor Emeritus
of Art Education at The Ohio State University. Dr. Marantz continues
to share his energy and experience with the field. The following
commentary and questions are a point of departure for others
to enter a DIALOGUE with Dr. Marantz with the intent that many
valuable ideas can be shared via this newsletter. We welcome
your input. Having asked Dr. Marantz to come up with five questions
that he would find valuable, I share, with permission, his comments
and invite your response to his questions. Please comment and/or
devise more questions of your own for the readership. Dr. Marantz's
communication follows: Shirley, Art teaching has a long history and is as ancient as art itself. But "art education" as a field of academic study is a relatively recent phenomenon. For the sake of argument, let's say that American academicians began plowing the art teaching field some half century ago - why not use WWII as a frame of reference? Like any living organism, or human institution, it has evolved, grown with the members who have chosen to make a career in the visual arts. Only relatively recently have a few of the pioneers begun to die off and with their lost leadership, what was once a focused field of inquiry basically puzzling over the various aspects of teaching art to children with a heavy emphasis on teacher preparation has, in those almost 60 years, "suffered" from a condition that resembles urban sprawl. While our bread and butter still derives from preparing art teachers, we've had the luxury of indulging in a wide diversity of speculative investigations loosely termed "research." One has only to scan the NAEA newsletter to note the fragmented interests, the most recent now in the birth-pangs dealing with the "built environment." One might view this institutional Balkanization as a sign of vigor, of a healthy stretching of the field's muscles. Yet, as with our nation's parallel multi-cultural strivings, are we also losing hold on our common core? To cite an ancient cliche: "Will the real art education please stand up." (A side bar: I have Ohio State University's list of dissertations for that time period, since the first one in the mid 50's. Just reading the titles is proof enough of the scattering of interests.) You suggested that I submit 5 questions as if the decimal system is holy writ. I'll simply begin listing them and stop when I've run out of inspiration. No special order.... 1) How important
is a definition of ART for the Caucus' operations? Do 2) A great number
of current art teachers still consider themselves to be 3) How do we define
"social theory"? How do we make it clear that our 4) From the universe
of academic fields, which are our closest relatives? 5) In what ways
do we claim relationships between the activities of the 6) How do we differ
from the other NAEA fragments like the multi-culture 7) Why has membership in the Caucus remained so relatively small over the years? 8) Is one of our
mission goals to affect the workings of the mother These are some notions which may, or may not, stimulate responses. But there should be some incentive for responding, or maybe the internal rewards of engaging in conversation about some commonly shared concerns will suffice. If nothing else, using the "chat room" device ought to sharpen meetings at NAEA. Ken Marantz The CSTAE Newsletter is grateful to Dr. Marantz for his contribution to this issue of the CSTAE Newsletter. You may offer comments and questions by accessing our interactive transmission mechanism via the following address: (http://www2.tltc.ttu.edu/kkb/disc2_welc.htm). If you have a response to Dr. Marantz, or further comments or questions about social theory and art education that you would like featured in the next issue of CSTAE DIALOGUE, please forward to the current CSTAE Newsletter Editor: Shirley H.Yokley-Witzel (syokley@mtsu.edu). Thank you. Salutations, |
Coordinator's Message, Karen Keifer-Boyd
2000 Annual Business Meeting Report, Kim Cosier
NAEA News Columnist Request, Dennis Fehr
2000 CSTAE Executive Board Meeting Minutes, Kim Cosier
Journal of Social Theory: Call for Writing and Images
CSTAE Dialogue: Featuring Dr. Kenneth Marantz
CSTAE Web site requests
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