#482968-001•1-3 credit hours

 

Dr. Karen Keifer-Boyd
Associate Professor of Art Education & Women's Studies
in the School of Visual Arts at The Pennsylvania State University
210 Arts Cottage • 814.863.7312 • kk-b@psu.edu 

Office hours by appointment: 2-3 p.m. Wednesdays, or email for other times.

Course format involves reading, writing, and dialogue onsite and online.  

The goal of the colloquium is to provide a forum for Penn State art education faculty and graduate students to discuss themes, selected by art education doctoral candidates, with guests from outside of Penn State invited as respondents to the colloquium participants' online discussions of the guests' publications and practices.

Onsite Discussion Themes:
September 12: Social Class and Museums: Politics of Display
September 26: Cultural Interface as an Approach to New Media Art Education
October 10:     Gender Issues in Art Education
October 24:     Teachers' Attitudes Toward Visual Culture Pedagogy and Aesthetic Play in Early Childhood Art Education
November 7:   Interpreting Children’s Emotions in their Drawings
November 21: Semiotic Interpretations of Photographs
December 5:   Cultural Values Espoused and Exposed in World Fairs: Technology, Gender, Race, Sex Identity, Consumerism, and Corporate Branding

Doctoral candidates presenting at the Graduate Research in Art Education Conference will lead the two-week online discussion prior to when their guests will respond to the colloquium participants’ online discussion. The guests respond between Sunday noon and Monday noon leading up to the day their article or area of research is discussed in our twice-a-month colloquium meetings. 

Online Guest Respondents:

Sept. 11 noon – Sept. 12 noon

Teresa Morales’ guest: Dr. Sam H. Ham, Professor of Communication Psychology at the University of Idaho.

Sept. 25 noon – Sept. 26 noon

Michelle Tillander’s guests: Dr. Don Krug , Associate Professor of Curriculum Studies at the University of British Columbia; J. MacGregor Wise, Chair & Associate Professor of Communications Studies at Arizona State University; & Carlos Rosas, Associate Professor of New Media at Penn State.

Oct. 9 noon – Oct. 10 noon

Candice Miller, Character Setup Lead, Toy Story 3, Walt Disney Feature Animation

Dr. Marnina Gonick, Assistant Professor in Language and Literacy Option Area, The Pennsylvania State University

Oct. 23 noon – Oct. 24 noon

Dr. Pamela Krakowski, Master Teacher, Falk School, School of Education, University of Pittsburgh

Nov. 6 noon – Nov. 7 noon

Minam Kim’s guest: Dr. Carolyn Saarni, Professor of Counseling at Sonoma State University

Nov. 20 noon – Nov. 21 noon

Chiu-Jhin Chen’s guest: Dr. Terry Barrett, Professor of Art Education at Ohio State University

Dec. 4 noon – Dec. 5 noon

Dr. Robert W. Rydell, Professor and Chair of History at Montana State University. He is a specialist on world's fairs, and author of All the World's a Fair. (Maryellen Murphy’s invitation in process)

Penn State Art Education Alumni Guest:

Gina L. Wenger, Assistant Professor of Art Education at Minnesota State University, Mankato, MN.

Click here for a list of the readings for the semester.

Guidelines for Reading Responses:

By Sunday noon prior to each onsite meeting, post on ANGEL: (a) a critical analysis of specific points in the reading(s), (b) a question raised by the reading you would like to discuss, (c) reflections on the relation of the ideas in the readings to your life, teaching, research, and/or art; and (d) responses to the questions raised by the doctoral candidate moderator.

Reply to (at the minimum) 2 other postings between each onsite group meetings scheduled for September 12 & 26, October 10 & 24, November 7 & 21, and December 5, 2005.

Readings are on electronic reserve or as pdf files or URL links in ANGEL in each discussion board. 

Supply and equipment: All should have access to a computer, the Internet, and a printer for electronic reserve readings. 

Grading Policy:

In order to earn an A in this class all assignments must be completed and on time. In addition, the work should demonstrate an ongoing process of self-reflective synthesis of course content and evidence of transformative thinking and learning. If project grades equal 93 or above you receive an A, 90-92 an A-, 87-89 B+, 83-86 B, 80-82 B-, 77-79 C+, 73-76 C, 70-72 C-, 62-69 D, below 62 a no pass.

Course Requirements for Registered Students:

1 credit option:
• attend all 7 onsite sessions & come prepared to actively participate in the dialogue (14% of course grade)
• participate in all two-week online discussions (see reading response guidelines) (50% of course grade)
• attend the Graduate Research in Art Education conference on Nov. 5, 2005 (36% of course grade)

2 credits option:
• attend all 7 onsite sessions & come prepared to actively participate in the dialogue (14% of course grade)
• participate in all two-week online discussions (see reading response guidelines) (35% of course grade)
• attend the Graduate Research in Art Education conference on Nov. 5, 2005 (16% of course grade)
• Write a final critical reflection paper due Dec. 13 by 5 p.m.: Review reading responses and online dialogue throughout the semester and write a reflective paper (limited to 1000 words) that synthesizes key issues throughout the online discussions, and connects the issues to your research interests and teaching practice. Post the paper in ANGEL and place a hardcopy of the paper in my mailbox at 210 Arts Cottage. (35% of course grade)

3 credits option:
• attend all 7 onsite sessions & come prepared to actively participate in the dialogue (14% of course grade)
• participate in all two-week online discussions (see reading response guidelines) (35% of course grade)
• attend the Graduate Research in Art Education conference on Nov. 5, 2005 (16% of course grade)
• Write a final critical reflection paper due Dec. 13 by 5 p.m.: Review reading responses and online dialogue throughout the semester and write a reflective paper (limited to 2000 words) that synthesizes key issues throughout the online discussions, critically evaluates the significance of the issues for the field of art education (substantiate your argument with citations and examples), and connects the issues to your research interests and teaching practice. Post the paper in ANGEL and place a hardcopy of the paper in my mailbox at 210 Arts Cottage. (35% of course grade)

Attendance policy:

Attendance is required and very important to promote a community of creative scholars. I encourage you to attend professional conferences in your field, therefore your absence in class for such attendance is excused with prior arrangements. Please contact me prior to class, or as soon as possible, if circumstances prevent attendance.

This course is in accordance with Faculty Senate Policy 42-27 on Attendance: The faculty senate policy, effective Fall 2002, states that students who miss class due to legitimate, unavoidable reasons such as illness, injury or family emergency should have the opportunity to make up evaluative events. While notifying the instructor in a timely manner is a key expectation, the senate policy does not mandate official documentation of student illness or other unavoidable reasons for absence. The policy also states, however, that false claims by a student "may be considered violations of the policy on Academic Integrity." Similarly, R4 in the Administrative Policies and Procedures does not require official documentation when students take part in religious observances. R4 states, "In preparing the calendar for an academic year, the University makes every effort to avoid conflicts with religious holidays. However, when conflicts are unavoidable, efforts are made to make special arrangements for the students affected."  

Modifications for Those Experiencing Altered Abilities:  

If you need alternate arrangements or modifications to meet course requirements, please contact me during the first week of classes (see Americans with Disabilities Act, 26 July 1990, Penn State's Nondiscrimination Policy, and the Office for Disability Services).

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Safety Information:

Every effort will be made to comply with the intent of state laws or acts and the University Health and Safety Program in an effort to maintain a safe academic and working environment. Information and awareness of safety factors will be included in the course content when applicable. When using a computer the main safety practice is to keep your arm, wrist, and hand in a straight line as you use the keyboard or mouse to avoid muscle stress, inflammation, and injury. Also take breaks, stretch, and look at objects in the distance periodically.

Click here for emergency procedures and phone numbers. Dial 911 for emergencies, (814) 863-1111 for University Police, or (814) 231-6110 for Centre Community Hospital Emergency Department. Patterson, room 304, has a phone by the podium to use (when there is not a class in session) to call off campus. Flashing lights and an alarm inside a building mean fire. Exit quickly.

The shop, located at 108 Visual Arts Building, is intended to serve the entire School of Visual Arts and is available to all students enrolled in SVA classes who have completed the appropriate orientation. Students in the School of Visual Arts may find themselves working in the shop or in their studios or classrooms using a variety of power and hand held equipment, which may cause injury. When assisting a person who is bleeding, use disposable gloves which are in the first aid kits in the shop and studio labs. Students should use the shop only after having received an orientation in the use of such equipment and when supervised by faculty or shop personnel. Should any injuries occur, in the shop, studios, or classrooms in the School of Visual Arts please report them to Jerry Bierly, Shop Supervisor
, Room 108-A Visual Arts Building, Phone: 814-865-3962, email: jib7@psu.edu.
Academic Integrity:

University Policies and Rules Guidelines states that academic integrity is the pursuit of scholarly activity in an open, honest and responsible manner. Academic integrity is a basic guiding principle for all academic activity at The Pennsylvania State University, and all members of the University community are expected to act in accordance with this principle. Consistent with this expectation, the University's Code of Conduct states that all students should act with personal integrity, respect other students' dignity, rights and property, and help create and maintain an environment in which all can succeed through the fruits of their efforts. Academic integrity includes a commitment not to engage in or tolerate acts of falsification, misrepresentation or deception. Such acts of dishonesty violate the fundamental ethical principles of the University community and compromise the worth of work completed by others.

Academic dishonesty includes but is not limited to acts such as cheating on exams or assignments; plagiarizing the words or ideas of another; fabricating information or citations; facilitating acts of academic dishonesty by others; claiming authorship of work done by another person; submitting work completed in previous classes; and/or submitting the same work to multiple classes in which a student is enrolled simultaneously.

Plagiarism is the use of more than three consecutive words, ideas, or images of another author without proper citation. Proper citation formats must follow one of the academic writing style manuals such as APA, Chicago, MLA, or Turabian. All images and text from the Internet, journals, or books must have full citation to be used in your work. See APA citation style examples.

Students charged with a breach of academic integrity will receive due process and, if the charge is found valid, academic sanctions may range, depending on the severity of the offense, from F for the assignment to F for the course.